Eminem versus The Streets
With revision suddenly underway in earnest I took time out yesterday to buy a few new CD's, so I'm now the proud owner of
The Eminem Show by Eminem and
Original Pirate Material by The Streets. Its all 'white rap music', but while Eminem is straight outta Detroit with raging paranoia and a whole bunch of issues too scary to mention The Streets barely make it out of the door of their London council housing before deciding it looks too much like trouble and they'd best smoke something before going back to bed.
Thats possibly a little harsh on The Streets, who seem to like going to the pub and a bit of cockney duckin' and divin' as well but the contrast is huge. Eminem rants and rages at the world, which is great when you agree with him, and in places its hard not to. Taken with his last album he's turning out one of the most coherent critiques of the problems of fame around. He wants to shout, scream and mouth off, he didn't ask to be a role model, and anyone who believes he's driving kids to violence is missing a whole chunk of other explanations for the problems of ghetto youth. On the other hand when he goes off on one about gays, bitches and ho's again you just wish he'd shut up, see a good psychiatrist, patch things up with his wife and go play with his daughter. (If Eminem has a redeeming feature its his solid commitment to looking after his daughter - I still reckon she'll loath him for his music when she's 16 though.)
In contrast The Streets have no bigger fish to fry than moaning about the governments stance on drugs, and avoiding some of the scary geezers who populate their world. Along the way we have a blokish mixture of women as objects 'don't mug yourself' and romantic heartbreak 'its too late'. Some of the social commentary is a bit grating 'Geezers need excitement' (sometime in the next year some Oxford mockney is going to say something very stupid to me and justify it with "common sense, simple common sense" and I'll go off this record completely)
All in all two very different takes on being a bloke. It makes you think, Detroit isn't that much scarier than the wrong ends of London. Is it just the constant presence of guns that fuels the paranoia of Eminem, Dre and all the rest? Or is it that there's something else in UK culture which has done a better job of standing up to macho posturing in music?
Hey ho, and to think I went out to buy the
Miss Dynamite album. Who should in no sense be thought as having anything to do with the cartoon at
Miss Dynamite.com which I found by accident and is guaranteed to offend pretty much everyone in equal measure. (the cartoon that proves terrorists have humour too, you have been warned)