The Boss gets it right
Writing CD reviews should be the easy part of running this web site, its documenting my life thats meant to be hard. Not today, two of yesterdays purchases were run of the mill indie stuff, and one, well. Lets do the easy ones first.Master, Yeah Yeah Yeahs If the Yeah Yeah Yeahs didn't come from New York then they should have done. Jangly punk pop complete with aggressive girly singer. Perfect for CBGB's. Master is their first recording as far as I know and its basically a five song EP. Lots to like, especially the lovely shouty Bang, and the fantastic bitchiness of Art Star. Kind of reminds me of early Blondie.
B.R.M.C. Black Rebel Motorcylcle Club There's something wonderfully old fashioned about the Black Rebel Motorcycle Club. Something kind of Led Zeppelinish, its like they want to pretend the whole Brit-Pop, Blur, Oasis thing never happened and just grind out big noisy rock songs. This is a bloody good thing, because while it gets a bit one paced in places and you sometimes find yourself wishing they'd vary the tempo or the everpresent wall of sound approach there are some fine fine songs in here. Love Burns, and Red Eyes and Tears provide a solid opening, and Spread Your Love makes me think of bands like Mudd as it thumps along on a heavy bassline. Top billing though has to go to the fantastic 'Whatever Happened to My Rock N Roll?'
I fell in love with a sweet sensation
I gave my heart to a simple chord
I gave my soul to a new religion
Whatever happened to you?
Couldn't have said it better myself.
The Rising, Bruce Springsteen
I'm not sure I can do this one justice, but then I'm not convinced anyone writing at the NME could either. This record is Springsteen's response to the events of September 11th and it is positively majestic in its integrity, honesty and vision. While the music may not quite be up to the same standards as the lyrics thats not the point. I can't think of anything except Marvin Gayes 'Whats' Goin On?' that compares to this in the scale of its subject matter, and the intimacy of the result. If there was ever a danger that one day the Boss would only be remembered as a straightforward rocker, with big muscles and a few hit records this is the record that puts that danger to bed. No other artist anywhere has come close to providing such a passionate, human and above all balanced response to what happened.Its strong stuff this, and it isn't cheerful. Hometown heroes can only contemplate suicide to cope with what they've seen, the bereaved suffer the anguish of lost loved ones, and suicide bombers seek their own terrible resolution. In amongst all this though is a sense of redemption, of a realisation that life must go on, and that the quiet day to day struggle of trying to balance grief and rage is where the real heroism lies. "I want a kiss from your lips, I want an eye for an eye, I woke up this morning to an empty sky"
Its always been this way with Springsteen though. City of Ruins was written before September 11th, and the ruined city could be anything, rust belt economy or broken heart it doesn't matter. The desolation and need to carry on are the same, all you can do is what the song urges, rise up. The Boss has been saying the same thing ever since his 'broken heroes' were born to run, desperately trying to escape the lives that had been made for them. We will not go quietly, we will not lose sight of what makes us human because there is greatness in all of us.
There's more of it than usual in Springsteen though.